01
Lead with the subject
The first five words should name what we are looking at. “A wet wool coat in sodium light” beats “cinematic, 8k, masterpiece.”
01
The first five words should name what we are looking at. “A wet wool coat in sodium light” beats “cinematic, 8k, masterpiece.”
02
If you need a storyboard, make several images. One prompt cannot hold a comic page or a contact sheet.
03
Window, noon, sodium, rim, candles. Light is mood. “Dramatic lighting” is a shrug.
04
85mm intimacy, 24mm presence, macro as landscape. “Photorealistic” is not a camera.
05
Describe the wet street. Do not write a paragraph of “no text, no extra fingers” unless you must. Positive first.
06
Describe a fictional person. Do not ask for a living celebrity’s face. If you have a photo, use edit, not a name.
07
Logos, paragraphs, UI, charts — the model will lie. Keep lettering out, or accept it as texture.
08
Present tense, one motion, one camera move. “Then they run, then they fly” will smear. Prefer 6 seconds.
09
For a clip, generate the first frame as an image, then animate that. Don’t ask the video to invent the picture and the motion at once.
10
Rain, steam, fog, wind in cloth. Cheap, readable movement. Better than a complicated action.
11
A figure the size of a postage stamp, a hand, a cup. Vastness needs a ruler.
12
Wool, wet stone, smoked glass, linen. Adjectives like “nice” do no work.
13
Blue hour is not golden hour. Noon is allowed. “Cinematic lighting” is not a time.
14
In a clip: arrive, move one thing, hold. The hold is what makes it a shot instead of a smear.
15
To keep a face, edit from the last still. A new generation is a new stranger.
16
If it reads like a shopping list of styles, delete all but one look and the subject.
Opens the studio with this as the prompt.